Written By Sam
Tuesday, 13 December 2011
Written By Sam
Monday, 12 December 2011
A2 comparison to AS
The focus of the video was different, the AS piece was a film introduction which did not necessarily need to focus on the protagonist at all times. However in the A2 music video the protagonist needs to be shown a lot as we needed to show the story in a shorter amount of time. Also the introduction of Goodwin’s theory meant that we also used shots of the protagonist singing the song in the studio which would mean that if it was a real music video then the singers face would have been seen a lot so he would have possibly got fame from the video.
After a year of already editing videos our group put our video together quite quickly. We also knew the basic idea of what we wanted our video to look like which helped in editing, which was not the case last year when we had ideas but decided on what we wanted to happen just as we were editing.
(Written by Liam)
Friday, 9 December 2011
Communication
Thursday, 8 December 2011
Tuesday, 6 December 2011
Goodwin analysis of our music video
Monday, 5 December 2011
Our creative process
Tuesday, 29 November 2011
Coldplay Magazine Advert
This magazine advert shows the band in the top half of the advert which links in with Goodwin's theory that a band must be shown as often as they can so the fans can recognise the band, this will make them instantly interested in the advert as they will see the famous band. The bottom half of the advert has all the information about the album, there is the band's name first so people will recognise the famous name. This is followed by the album name and the release date which people will read after being drawn in by the famous band name. The album cover is put next to all the writing so the reader's can see the album they will want to buy. The colour scheme is a simple black and white, this linked in with the album cover connotes that the band may be looking for a digital/techno feel to their new album. This is not the genre Coldplay are famous for which could therefore attract people who like digital/techno music. (Written by Liam)
The Killers Magazine Advert
Wednesday, 23 November 2011
Change To Ending
Written By Sam
Wednesday, 16 November 2011
Original Mr Brightside video
Posted by Sam
Tuesday, 15 November 2011
Current Filming progress
Friday, 11 November 2011
Use of technology
Magazine Advert analysis

Poster Advertisement planning
Tuesday, 8 November 2011
Music Video Changes
- getting into a car
- sat on a bench
- sleeping rough in an ally way
- dog walking
- smoking on the street corner
Saturday, 5 November 2011
Current filming progress
Filming locations Problems
Filming Locations
Costumes
Friday, 4 November 2011
Poster Advertisements - Rihanna

Tuesday, 1 November 2011
Album Cover - Somebody Told Me
This Killers album cover is basic. The simple two colour scheme allows it to be basic but effective. The main colour is the pink background, which is also used in part of the title. The other colour is the black, which contrasts well against the pink. The title is shown to be like lights, representing how famous the Killers are as there ‘name is up in lights’. The silhouette behind the title is of female’s legs in high heels. This could be seen as sexual, although it is more likely seen as irony, as it links in with the song lyrics that somebody’s boyfriend 'looks like a girlfriend'. (Written by Liam)
Album Cover - Mr. Brightside

The cover itself is fairly basic, with only three block colour schemes. The dominant colour is the violet background, which compliments the more pinky ‘Killers’ logo. The logo itself is presented in a way, which signifies the typical American ‘name in lights’ style, connoting the fame that the Killers are already accustomed to. The silhouette behind the title is of a seemingly naked female. Although, as it is a silhouette, there are no real sexual implications to it, rather it is more artistic with links to the song itself.(Written by Sam)
Monday, 17 October 2011
Production Treatment
THE MUSIC VIDEO:
The Killers – Mr. Brightside
DURATION:
Duration of the video is three minutes, forty-eight seconds.
AUDIENCE:
The target audience of the video will be those who enjoy indie/alternative music, and enjoy music videos being basic narrative (no unexplained narrative or disjuncture). A scene early into the video consists of small amounts of intimacy between two characters; therefore this may be a little unsuitable to small children.
RESUME:
The narrative of the video consists of the protagonist post-breakup seeing his ex girlfriend with her new partner. After seeing this, he sees her and her new partner’s faces on every individual he passes. During this, he begins to run, as obviously this wouldn’t be something he wants to see, and through it he sees more and more people. The climactic moment of the video is where he ends up on the roof of a building, with a contemplation of jumping. This will also be the end of the video.
SUGGESTED ELEMENTS:
· Performance of the video will basically consist of the protagonist lip-syncing while running through the streets of Manchester, and ending up on the roof of Ashton Under-Lyne arcades.
· The two key locations are the Arcade roof, and the entrance to an apartment in Northern Quarter, Manchester. Which streets we use are not really relevant, and therefore will be decided at a later date.
· There wont be much in terms of SFX, except for a potential scene where six or seven people will use the faces of only two people.
· Costumes consist of five or six changes of clothes so that when the protagonist sees his ex and her partner in faces of other people, it looks much more convincing.
Thursday, 13 October 2011
Video Ideas
Tuesday, 11 October 2011
Arctic Monkeys - Brianstorm
This is a pretty straightforward amplification video (in accordance to the terms of the media theorist, Craig Davis), incorporating performance, but with no narrative at all, although many cuts to different shots (dancing girls, images related to the lyrics etc.). Lighting in the video is constantly quite dark, with flashing floodlights periodically, possibly evoking mystery for the band. Even though the majority of the video is performance, you do not see any of the band’s faces. There are a lot of close up shots of the band, although very few from the front. This is aided by the general dark lighting. This is purely the band’s discretion, as in 2007 they had reputations of being camera-shy. Agreeing with Goodwin’s theory, this developed a motif for the band at the time. Not seeing the band has no apparent link to the actual narrative or music. The entire video is produced in a studio although no special effects are particularly incorporated, adding to the ‘raw’ stereotype of the genre. This supported Goodwin’s theory that music videos represented genre typical characteristics. Though, unusual to indie/alternative music videos, ‘Brianstorm’ makes use of dancing girls periodically through the video, perhaps as a shout of the band’s individuality at the time, or a mock of the usual music video stereotype. As much of the video uses videos within its own video, there is little more mise en scene to comment on. (Written by Sam)
The Verve- Bitter Sweet Symphony
We decided to watch the video of The Verve’s song ‘Bitter Sweet Symphony’ because throughout the video you see the protagonist walking down a street. We want to use the same kind of idea, but we want our protagonist running. Also we will be using different camera shots. However, the ‘Bitter Sweet Symphony’ video gave us ideas of shots of the feet and P.O.V shots.
Written by Liam Amos
Storyboard Planning 1st scene
1st Box – The protagonist, (Liam) is standing in a dark room. Extreme close up of his face looking down and upset.
2nd Box - Liam is walking down a hallway of his house lip-syncing in a middle shot as he comes out of the front door looking frustrated, also in the middle shot.
3rd Box – Liam looks across the road and sees his ex girlfriend (Katie) with her new boyfriend (Sam)
4th Box – Liam turns away looking upset in, middle shot as he walks away down the street
5th Box – Liam walking down a busy street. This will be a long shot. All the people have his ex’s face and her boyfriends face too. There are extreme close ups of the faces at this point. Liam barges into a man in passing by accident as he turns to apologize he sees Sam’s face on a random man’s body. Liam panics and runs down the street. Tracking shot.
By Katie Maher
Thursday, 6 October 2011
Storyboard ideas
Below is the video for 'Leave Before The Lights Come On'
Mr Brightside first ideas
- Extreme close up of protagonists face, zooms out to a long shot of him in a dark room.
- Protagonist stands up and runs out the room by the 2nd verse.
- 3rd verse shows protagonist running, mix of close ups and medium shots.
- Runs past flashes of protagonists ex with her new man in 3rd verse and 5th.
- Constant cuts to close ups to show protagonists emotions.
- Cuts to pans to show him running.
- Last 4 lines show protagonist running up stairs and then get to the roof of a high building thinking about jumping.
Tuesday, 4 October 2011
Chosen Song
are the work of The Killers; 'Mr. Brightside', 'Bones', and 'Read My Mind'. The other being the Arctic Monkeys song 'Brianstorm'.
We weighed out the pros and cons of each song and came to the decision of using 'Mr. Brightside' as it has an easy-to-follow narrative, thus sparking several potential video ideas. As a group we felt this will help ensure a successful coursework piece. Written by Sam, Liam and Katie
Thursday, 29 September 2011
The Killers - Read My Mind
This music video has no real significant narrative, only mini, sometimes comedic, scenarios in inner city Tokyo. For example, scenes of a large green costumed character with no connotations to the video whatsoever. The video begins with an establishing shot of the city, moving to a mid shot of Brandon Flowers himself, and a four shot of the Killers. The scene cuts in the video are short, and in time with the actual song, changing scenes frequently between the mini narratives, which total to around eight or nine. Music videos of this genre typically represent performances with narratives synchronized around them, and many close shots of the band members, with longer performance shots of the band. This video doesn’t really explore a lot of performance throughout, although it doesn’t lack performance enough to express itself as an exception to the general rule. The lighting is bright and technical, fairly in-keep with the connotations Tokyo and Japan. The protagonists of the video are the band members, and few other actors are shown. The mise en scene of the video consists of the band members wearing typical Western suits, and riding bicycles designed in America. This, possibly, is to represent the band as Americans in a foreign country. Written by Sam
Arctic Monkeys - Suck it and See
“Suck it and See” incorporates a simplistic illustrative narrative, of a couple that are evidently in love with each other but constantly fight, both verbally and physically. This is connoted by quite intense close up shots of intimate and aggressive moments. These shots help express the fiery relationship. The genre of the video is Alternative/indie rock and stereotypical elements of this genre are exhibited through mise en scene of the video. For example, ‘Rock and Roll’ can usually connote leather, bikers etc, which is the narrative in this video. The protagonist is a biker and his partner in the video is the typical ‘biker’s girlfriend’. Although, in general, videos of this typical genre usually portray an illustrative music video, being that they usually just show a performance with minimal narrative. Although, this video shows no performance of the band itself, and only shows one band member throughout the entire narrative, as the main actor in the video is Matt Helders, the drummer of the band. In terms of editing, the video is regularly switching from close up intimate scenes to wide shots of the biker gang, both on bikes and communal scenes. Although scene switches do not keep to every beat of the song, when they do switch, it is always in time with the song. The lighting is generally quite natural, as the majority of scenes are outside. For the few indoor scenes, the lighting is quite dim, insinuating intimacy. Written by Sam




